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Weekend 401 Review: Internet addicts put down their phones in Wilbury’s a cappella ‘Octet’

Jason Quinn plays the role of Henry, who is addicted to tile-matching games.
Erin X. Smithers
Jason Quinn plays the role of Henry, who is addicted to tile-matching games.

The Wilbury Theatre Group’s latest production, “Octet,” explores the many ways technology can damage our lives and relationships

The Wilbury Theatre Group latest production is “Octet”, a chamber choir musical that explores the damaging effects of technology on our lives and relationships. Directed by Josh Short, it’s the Rhode Island premiere of the award-winning play, with book and music by David Malloy.

Ocean State Media afternoon host Mareva Lindo and producer James Baumgartner saw the play and have this review.

AA for internet addicts

Mareva Lindo: The whole thing takes place in a church basement at a support group for internet addicts. As each of the eight characters drift into the meeting, they place their phones in a box and trade them for pitch pipes. And those pitch pipes are the only instruments we hear in the musical.

Coasting through the world with candy

James Baumgartner: Each of the characters has a song describing their particular facet of internet addiction, and each of the performers in this production shines during their solos. One of the stand-outs for me was the song “Candy,” with Jason Quinn playing the role of Henry, who is addicted to tile-matching games. It’s a rapturous, gospel music-like tune, as Henry sings about how he finds joy as the numbers go up and up, and how he lays in bed for two days in a row swiping at the game.

The dark side of online dating

Lindo: One of the darkest and most interesting parts of the play was a piece called “Solo,” which is really a duet. It features Karly, played by Naomi Tyler, sharing her experiences with online dating. Her parts are intercut with Ed, played by Michael Tussuf Greene, portraying the men she encounters. There’s a poignant moment where Karly is talking about rejecting people on the apps. She describes a kind of switch-flip where some men will then suddenly start bullying and insulting her, and her fear that that rejection could be the thing that pushes them into radicalization. That’s mirrored by Ed then talking about the corners of the internet where that kind of rhetoric thrives, appealing to lonely men like him, encouraging them to blame women for their problems, and suggesting violence and extremism as the solution.

Final notes

Baumgartner: The stage design and lighting are beautifully immersive. You really feel that church basement at the beginning, but through the lighting design, you are transported like you are falling into the monster of the internet.

Lindo: Overall, Octet portrays some extreme examples of internet addiction, but I think there’s really something for everyone to relate to in some way.

Baumgartner: This is a dark play, and I’d recommend it if you like musicals like “Sweeney Todd” or “Assassins” since it does have some of that Sondheim-like satirical energy.

“Octet” is on now through Dec. 21 at the Wilbury Theatre Group in Providence. 

Want more tips on what to do this weekend in Rhode Island? 

In this week's Weekend 401:A speakeasy choir at the United Theatre, a holiday variety show at The Vets, a Krampus holiday market at The Met, and “Songs of Darkness and Light” at Community Music Works.
Weekend 401: A speakeasy choir, a Krampus holiday market, a musical about internet addiction, and more

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James learned the basics of audio editing while studying music at Missouri State University. He went on to get a Master of Fine Arts in Electronic Art at Rensselaer Polytechnic Institute where he created electronic music, video art and internet-based media art. While at RPI, James went on the air for the first time, hosting an electronic music show on Rensselaer's station, WRPI, but his love of radio came from staying up late so he could hear punk rock on KKFI, the community radio station in Kansas City, Missouri.
Mareva joined Ocean State Media in 2022. In 2023, Mareva received two awards from the Public Media Journalists Association for her work with The Public’s Radio, including a first-place Multi-Media Presentation award for the 2022 Elections page, and a second-place Short Documentary award for editing and co-production of “The Secret of Chiqui Versace.”
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